‘Eye’ on the Prize: ‘The Bluest Eye’ “audio drama” at Aurora Theatre
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Don’t Steal My Shine: ‘The Light’ online at Shotgun Players
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Black America’s waiting, Justin Timberlake… (UPDATED w/ Feb. 2021 Britney “apology”)
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
‘Birds of Prey’ is the ‘Deadpool 2’ Redux we Didn’t Need but Still Love
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Comfortably Numb: ‘Ways to Leave a Body’ world premiere at Cutting Ball
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Sleaze Company: ‘PolySHAMory’ at The Marsh – SF
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
The Witch is Back: ‘Vinegar Tom’ West Coast Premiere at Shotgun
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Pure Incel Cinema: (2019 Movie Addendum)
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Because ‘Nice’ is a Trap: ‘Dionysus was such a Nice Man’ West Coast premiere at foolsFURY
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
The Thinking Man's Idiot (Charles Lewis III) 