Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.