Bend, Stretch, Twist: ‘Dollhouse Monsters’ world premiere by DIVA or Die Burlesque
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Aurora scores a hit with Anna Ziegler’s incendiary piece about sexual consent and identity politics.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
The sins of life follow you into death in this world premiere dramedy opening The Magic’s 52nd season.
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