In For a Penny: Raise a Broken Glass

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In which I take a moment to toast every bad show that has burned itself onto my soul.

San Francisco Theater Pub

Charles Lewis III, celebrating the mistakes and the mistaken.

Half Baked glass

“Let’s have a toast for the douchebags
Let’s have a toast for the assholes
Let’s have a toast for the scumbags
Every one of them that I know
Let’s have a toast for the jerk-offs
That’ll never take work off”
– Kanye West, “Runaway”

Recently I was watching a review wherein the critic commented on what a colleague had recently said to him, that something “good” can be measured by its lack of anything “bad”. The critic argued – and I’m inclined to agree – that “good” should be measured by “the presence of a defined positive, not the lack of a specific negative”. After all, how many times has each of us eaten a meal, taken a ride, or experienced a piece of art that was by no means bad, per se – there was nothing to make you swear…

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In For A Penny: Oh yeah, THAT thing

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In which I suddenly remember I have an audition, but refuse to lose any sleep over it.

San Francisco Theater Pub

Charles Lewis III, getting his audition on. 

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“Don’t worry about the future… or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum.”
– Baz Luhrmann & Lee Perry, “Everybody’s Free (To Wear Sunscreen)”

It always sneaks up on you. Between jotting down ideas for personal projects, prepping for this year’s Olympians, doing numerous on-camera jobs, jumping from one job interview to the next, and waiting for rehearsal schedules on a few major projects later in the year, it came as a bit of a surprise to remember I have an audition this Saturday.

When I did recall, it was almost as if I’d been handed someone else’s schedule and I wanted to find them to let them know they have an important appointment coming up. But, sure enough, it’s my appointment and a subtle reminder that I’m not yet high enough…

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In For a Penny: Dead Men tell No Tales

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I’m writing a play about death, so guess what’s been on my mind lately?

ALSO, you’ve got two days to contribute to this year’s Olympians Fest:
https://www.indiegogo.com/projects/sf-olympians-festival-2016-harvest-of-mysteries

San Francisco Theater Pub

Charles Lewis contemplates the Great Beyond.

“Death Found an Author Writing His Life” (1827) by E. Hull “Death Found an Author Writing His Life” (1827) by E. Hull

“I’ve got my own life to live
I’m the one that’s going to have to die
When it’s time for me to die
So let me live my life the way I want to”
– Jimi Hendrix, “If 6 was 9”, Axis: Bold as Love

Funny thing about writing a play about death: it makes you think a lot about dying. Who knew? And if you want to get technical, the play in question isn’t actually about death, but the lack thereof. Let me explain…

I’m writing the Opening Night Party play for this year’s SF Olympians Festival. You may or may not recall that last year I occasionally dedicated this column to exploring the development process of said festival. If so, you may also recall that my final entry, “A Pre-Post-Mortem”, attempted…

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In For a Penny: You Won’t be Namin’ no Buildings after Me

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In which I try to take a break from recent politics to ponder the relationship between US presidents and theatre.

San Francisco Theater Pub

Charles Lewis casts his vote from the front row.

US presidents don't have the best history with theatre. US presidents don’t have the best history with theatre.

“To live means to finesse the processes to which one is subjugated.”
– Bertolt Brecht, On Politics and Society (1941)

I needed a distraction.

It wasn’t just my incessant hunt for a “real people” job, it wasn’t just my putting serious attention towards my Olympians script, it wasn’t just my anger over Alton Sterling and Philando Castile winding up the latest casualties of racist White cops when their only “crime” was being Black in public. It wasn’t just any of those things, it was all of that and more.

I needed something to clear my head yesterday, so my attempt to escape politics lead me to the Playbill site. Incidentally, my eye was caught by a quick mention of Democratic front-runner Hillary Clinton attending her second performance of the now-Pulitzer-and-Tony-winning musical Hamilton

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In For a Penny: Playground Rules

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In light of a recent theatre exposé, I reflect on why consent and safety should never be regarded as merely “options”.

San Francisco Theater Pub

Charles Lewis III, a perspective on perspective.

Stop sign copy

“[W]hat is it that constrains the individual to fear his neighbor, to think and act like a member of a herd, and to have no joy in himself?”
– Friedrich Nietzsche, Untimely Meditations

I think it’s safe to say at this point that every theatre person I know took some time out last week to read the Chicago Reader’s exposé on Profiles Theatre. (In the days that followed, Profiles’ AD Darrell Cox released a response statement on the theatre’s official Facebook page, but as of this writing, all of the theatre’s social media channels are shut down. Their official site contains only a statement that the theatre has permanently closed its doors.) If you’re anything like me, the article probably got you thinking. Not just about the stories of the people mentioned in the article, but thinking about your own theatre history.

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In For a Penny: Mid-Year Intermission

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In which I use the mid-year month to ponder getting comped for shows, self-censorship, and bringing shows to those who can’t be in the audience.

San Francisco Theater Pub

Charles Lewis III, keeping it together and taking stock.

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“Why, sometimes I’ve believed as many as six impossible things before breakfast.”
– Lewis Carroll, Alice in Wonderland

So far this isn’t necessarily my favorite year, but it’s been busy nonetheless. Between a full-length show in which my character had the most dialogue, a stint in ShortLived, acting in two Theater Pub shows, and lots of on-camera work I can’t even remember, I should be relaxing. Instead I’m thinking about this evening’s rehearsal for a show that opens in just over a week. Besides, my way of decompressing at the start of summer is to just let my mind run in a million different directions at once. Like so:

Free Lunch

Over the weekend I took advantage of having some time off to see a great show before it closed. It was a last-minute decision and thankfully there were a few…

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In For A Penny: Vices I Admire

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In which I ponder whether mind-altering substances truly inspire creativity.

San Francisco Theater Pub

Charles Lewis III, on why vice can be nice.

Yes, I own this shirt. Yes, I own this shirt.

“The cannabis experience has greatly improved my appreciation for art, a subject which I had never much appreciated before. The understanding of the intent of the artist which I can achieve when high sometimes carries over to when I’m down. This is one of many human frontiers which cannabis has helped me traverse. There also have been some art-related insights — I don’t know whether they are true or false, but they were fun to formulate.”
– Carl Sagan, Mr. X (1969)

I never smoked weed until I did theatre. For that matter, I never ate sushi until I did theatre. Yes, I was one of those boring teens who never drank, smoked, or went to parties. (Well, I did try smoking cigarettes several times, but it never caught on.) Part of that was due to…

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In For a Penny: Of the People, By the People, For the People

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In which I attend a special performance for the #Frisco5 protestors and ponder the intersection of art and activism.

San Francisco Theater Pub

Charles Lewis III, giving us another look at Paul Flores.

Paul Flores in character, in public. Paul Flores in character, in public.

“There will be no pictures of pigs shooting down Brothas on the Instant Replay”
– Gil Scott-Heron, The Revolution Will Not be Televised

On-site theatre is a risky proposition, both for the performers as well as the audience. One the one hand, you’ve freed yourself from the rigid constraints of a typical performance space; on the other hand, you’re subject to the elements and limited as to what you can openly display in public. I’ve done Shakespeare in the woods, Sarah Kane’s Blasted in an actual hotel room, and – as the name of this website may have told you – pub-set plays in actual pubs. I can’t recall any one of those being preceded by the advisory that the show could be “shut down by the police at any moment.”

Such was the…

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‘Bellus’ magazine Film Reviews

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[UPDATE – 22 August 2016: As you’ve probably noticed, the titles of the films no longer link to the specific reviews. This is because the official Bellus site underwent an overhaul in July 2016. Unfortunately, this resulted in them losing most of their online material – more than three years’ worth – without being able to recover it.

Fortunately, I had the original copies from my personal records. The missing reviews below can be found here, courtesy of my Tumblr page. Enjoy!]

 

As I begin to update my blog, I thought I’d post a few links to reviews I’ve written for Bellus magazine that have been published on-line:

  • Deadpool, starring Ryan Reynolds
  • Hail, Caesar! by Joel and Ethan Coen
  • Zoolander 2 by Ben Stiller
  • It Follows, starring Maika Monroe
  • X-Men: Days of Future Past, directed by Bryan Singer
  • Dawn of the Planet of the Apes

More to come as they get published on-line.

 

In For a Penny: The Early Bird

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In which I start a new show, see a new show, and ponder what it means to see a work before it’s officially “finished”.

San Francisco Theater Pub

Charles Lewis III, getting the worm.

Free wine – the only reason I do theatre. Free wine – the only reason I do theatre.

“I am glad I was up so late; for that’s the reason I was up so early.”
– William Shakespeare, Cymbeline, Act II, Sc. 3

As I continue my contemplation about the theatrical “ecosystem,” I recently took a moment to ponder the act of seeing something early. What does the audience think when they see a preview performance for a play or early screening of a film – are they hoping to see the next great masterpiece? Do they want to be ahead of the curve in bashing the next great disaster? Or are they like me in that they just want to escape from the world and were persuaded to do so by the discounted (or free) price?

Previews are a necessary evil: they’re billed as being works in progress; a peek behind the…

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