The Thinking Man's Idiot

The unruly brain and bad habits of a writer, artist, and grilled cheese sandwich-enthusiast.

In For a Penny: You Can’t take it With You

In which I look at playwright’s film adaptation of a book and ask if it’s possible for a film to be “too theatrical”.

San Francisco Theater Pub

Image via Universal Pictures Image via Universal Pictures

“[I]t’s a form of alchemy, of magic. It’s very appealing. I think cinema, movies, and magic have always been closely associated because the very earliest people who made film were magicians.”
– Francis Ford Coppola, Academy of Achievement interview, 17 June 1994

When I think of Aaron Sorkin, I’m reminded of Christopher Buckley’s address to Yale’s 2009 graduating class. In a self-deprecating speech, the author and former George HW Bush speech-writer implores these supposedly-future-captains-of-industry to reject the very shameless materialism they’d supposedly been encouraged to embrace. “[Do] you really want to model your lives on characters in a Tom Wolfe novel?” he asks. “I always wanted to be Tom Wolfe, but I never wanted to be Sherman McCoy.” I’d rather be Aaron Sorkin than Will McAvoy, but that may have less to do with wanting to be a celebrated writer and more to with my wanting…

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One comment on “In For a Penny: You Can’t take it With You

  1. Pingback: My SF Theater Pub writing – The Thinking Man's Idiot

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