Helgi Tomasson kicks off his final year at the helm with two programs of mixed results and fine surprises.
Looking back at the two years (and counting) of pop culture during pandemic purgatory.
After a year off, the adults-only immersive horror tour makes its terrifyingly triumphant return.
Aurora slowly moves back to live shows with this solo streamer about a NY neighborhood in flux.
George Bernard Shaw’s classic satire gets an unfortunately sour reading as part of ACT’s new series.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The company shot a new segment to round out their delightful production Balanchine’s colorful triptych.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
SF Ballet brings back last year’s winning show for a not-quite-perfect online presentation.