Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.