Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.