Loud AND Ladylike: ‘The Daughters’ World Premiere (Sandbox Series) by SF Playhouse
The changing face of SF’s Lesbian community is wonderfully realized in this Sandbox world premiere.
Super ‘Model’: ‘Model Minority Report’ by Killing My Lobster
Asian stereotypes get skewered in this hilarious new show by an all-Asian crew at KML.
We All Fall Down: ‘Free for All’ World Premiere at Cutting Ball
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
Trog Talk: ‘Caveman Play’ World Premiere by FaultLine Theater
FaultLine premiere’s Savannah Reich satire of human progression that’s as subtle as a club to the head.
Present of the Past: ‘Don’t Miss It’ World Premiere by Rapid Descent
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
Loud & Proud Latinx Double-Feature: ‘Kiss My Aztec!’ World Premiere at Berkeley Rep AND ‘Oedipus El Rey’ Revival at The Magic
A world premiere swan song and a powerful revival celebrate the wonderful eclecticness of local Latinx talent.
Torn from Memory: ‘Ripped’ World Premiere by Z Space
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Time Keeps on Drippin’: ‘Time Sensitive’ by Ragged Wing Ensemble
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
Haunted Hearth: ‘In Old Age’ World Premiere at The Magic
Mfoniso Udiofia’s multi-play saga takes an oddly supernatural turn in this new chapter by The Magic.
Belated Black History Month Double-Feature: ‘The Last Sermon of Sister Imani’ by TheatreF1rst and ‘Her Portmanteau’ at ACT
In which I catch up with two brand new Bay Area shows based exclusively around Black women.
