The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
FaultLine premiere’s Savannah Reich satire of human progression that’s as subtle as a club to the head.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.