Helgi Tomasson kicks off his final year at the helm with two programs of mixed results and fine surprises.
Heather Christian’s acclaimed show about ghostly encounters is an audio wonder brought down by unnecessary visuals.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
NCTC world premieres an audio solo play about Black pain during the pandemic.
We’re all trapped in a routine, so the SF Ballet presents a trio of shows about breaking out.
SF Ballet’s second show of their digital season is a hit-and-miss collection of two classics and one new short film.
All that Glitters during the Cold: ‘Utopia’ World Premiere at Cutting Ball and ‘Holiday Sauce… PANDEMIC!’
Before Christmas touches town, I look back on two flamboyant shows by Cutting Ball and Taylor Mac.
Michael Bay produced this idiotic anti-mask turd that has one saving grace: it’s only 80 minutes long.
Not even a global pandemic can stop the ACT and SF Ballet from bringing their annual holiday productions to the world.
My belated look at 2019 puts 2020 into perspective.