If any white celeb owes us an apology, it’s the so-called “prince of pop”.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Solid direction elevates Dipika Guha’s “okay” script about the endless cycle of cultural commodification.
Aurora scores a hit with Anna Ziegler’s incendiary piece about sexual consent and identity politics.