Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.