If any white celeb owes us an apology, it’s the so-called “prince of pop”.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
When the MCU reboots the ‘X-Men’ film series, here’s the one change they NEED to make.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Before The Curran becomes Hogwarts, it hosts an excellent production of another hit British show.