Branden Jacobs-Jenkins leans too heavily on shock value and “death (wink, wink) of print” clichés in his latest show at the ACT.
The US may have forgotten its first Chinese immigrant, but her tale is beautifully told by the Magic Theatre.
Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
The sins of life follow you into death in this world premiere dramedy opening The Magic’s 52nd season.
You wouldn’t think “rom-com” and “Vietnam War drama” would go together, but the ACT pulls it off well.
The innovative use of technology never gets in the way of the love story in this Magic Theatre world premiere.