It’s taken me SIX YEARS to write this piece.
Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
The popularity of 2019’s two biggest film should NOT be something we celebrate.
A talented cast is wasted in this badly-written, poorly-shot “action-comedy”.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
August Strindberg’s classic tale of male manipulation is still relevant in Aurora’s powerful new production.