In which I find hope in the climax of this Batman’s-dick-of-a-year.
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
The sins of life follow you into death in this world premiere dramedy opening The Magic’s 52nd season.
Chekhov’s classic is revived through gorgeous design, mixed performances, and some confounding directorial choices.