The Thinking Man's Idiot

The unruly brain and bad habits of a writer, artist, and grilled cheese sandwich-enthusiast.

Tag Archives: TimesUp #TimesUp Time’s Up

2018: the YEar i didn’t give up

In which I find hope in the climax of this Batman’s-dick-of-a-year.

Saturday, 2 March, 2019 · Leave a comment

Sound and Fury Signifying Nothing: ‘Women Laughing Alone with Salad’ at Shotgun

Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.

Saturday, 20 October, 2018 · 3 Comments

Off Without a Hitch: ‘North by North Lobster’ by Killing My Lobster

KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!

Friday, 19 October, 2018 · Leave a comment

Forgive me, Father: ‘The Resting Place’ World Premiere at The Magic Theatre

The sins of life follow you into death in this world premiere dramedy opening The Magic’s 52nd season.

Wednesday, 17 October, 2018 · 2 Comments

Creepy Uncle: ‘Uncle Vanya’ at Cutting Ball

Chekhov’s classic is revived through gorgeous design, mixed performances, and some confounding directorial choices.

Tuesday, 2 October, 2018 · 1 Comment

Watch it Bleed: ‘The Predator’

Shane Black making a new ‘Predator’ film SHOULD be amazing, but it settles for being (barely) above average.

Tuesday, 11 September, 2018 · 1 Comment

Ladies’ Nights: ‘Revolt. She said…’ at Crowded Fire and ‘Kursk’ at Theatre Lunatico

A feminist manifesto play and a gender-swapped submarine drama make for two bold (if uneven) evenings of female-driven theatre.

Tuesday, 20 March, 2018 · 4 Comments

‘Stuck’ Up its Own Ass!

Fuck this movie. This is misogynist hypocrisy at its worst. Seriously, fuck this movie.

Friday, 2 February, 2018 · 9 Comments

Pillar of Salt: Looking back at the Best and Worst of 2017

Sorry, Frank – it was NOT “a very good year”.

Still, there were bright spots to be found.

Saturday, 13 January, 2018 · Leave a comment

Return of the White Savior Western: ‘Hostiles’

The casting of actual Native American actors can’t hide the film’s hypocritical racism and clichéd storytelling.

Thursday, 4 January, 2018 · 6 Comments