QDT use Bradbury’s own theatrical adaptation for a show that’s great to look at, but never quite becomes an inferno.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
Loud & Proud Latinx Double-Feature: ‘Kiss My Aztec!’ World Premiere at Berkeley Rep AND ‘Oedipus El Rey’ Revival at The Magic
A world premiere swan song and a powerful revival celebrate the wonderful eclecticness of local Latinx talent.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.