Bend, Stretch, Twist: ‘Dollhouse Monsters’ world premiere by DIVA or Die Burlesque
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
QDT use Bradbury’s own theatrical adaptation for a show that’s great to look at, but never quite becomes an inferno.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
A world premiere swan song and a powerful revival celebrate the wonderful eclecticness of local Latinx talent.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
RoL’s excellent cast and crew almost save Roberto Aguirre-Sacasa’s impotent take on the controversial story. Almost.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
The unruly brain and bad habits of a writer, artist, and grilled cheese sandwich-enthusiast.
#pingmetillimdead
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Our family’s journey navigating this thing called colon cancer
The archive...
no legacy is so rich as honesty
Healing is not Linear
o ---------- art of Hannah Birch Carl
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Holy Crap, we're moving.
"Theatre for People Who Didn't Know They Liked Theatre"
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World Premiere Female Driven Play in San Francisco
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The adventures of an SF gal heading East
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the creative writing of Barbara Jwanouskos
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Larissa Archer