No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
The beloved children’s book makes for a creative (if wildly uneven) musical from PigPen.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
LCTC stages a raucous, and somewhat bloated, retelling of biblical creation from the writer of ‘In & Out’.
The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
The Uruguayan play gets a loud – if uneven – adaptation by SF’s own BATCO.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.