The Witch is Back: ‘Vinegar Tom’ West Coast Premiere at Shotgun
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Tale of the None-Too-Tall: ‘The Tale of Despereaux’ Musical at Berkeley Rep
The beloved children’s book makes for a creative (if wildly uneven) musical from PigPen.
Better off Broken: ‘Bull in a China Shop’ Bay Area Premiere at Aurora Theatre
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
O Horny Night: ‘The Most Fabulous Story Ever Told’ at LCTC
LCTC stages a raucous, and somewhat bloated, retelling of biblical creation from the writer of ‘In & Out’.
‘The Tempest’ on a Trapeze: Cirque du Soleil’s ‘Amaluna’ in San Francisco
The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
Sinks in later innings: ‘Testmatch’ World Premiere at ACT
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
Comedia y Muerto in The Mission: ‘Death and The Artist’ by BATCO
The Uruguayan play gets a loud – if uneven – adaptation by SF’s own BATCO.
Romance is Dread: ‘Elevada’ at Shotgun Players
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
This ‘Flick’ Needs an Editor: ‘The Flick’ at Shotgun
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
Bend, Stretch, Twist: ‘Dollhouse Monsters’ world premiere by DIVA or Die Burlesque
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
The Thinking Man's Idiot 