Stephen Schwartz’s musical fantasia gets a rousing production at the Playhouse.
Mfoniso Udiofia’s multi-play saga takes an oddly supernatural turn in this new chapter by The Magic.
Dazié Grego-Sykes’ incendiary Fringe solo show gets a full staging (such as it is) at EXIT Stage Left.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Before The Curran becomes Hogwarts, it hosts an excellent production of another hit British show.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
KML’s latest is an hilarious (and somewhat heartbreaking) look at facts and foibles of modern therapy.
ACT’s latest is a so-so tale of American crass, Chinese refinement, and the universal language of competition.
Solid direction elevates Dipika Guha’s “okay” script about the endless cycle of cultural commodification.
Aurora scores a hit with Anna Ziegler’s incendiary piece about sexual consent and identity politics.