An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
A San Francisco tradition celebrates its distinction as the first-ever American production of ‘The Nutcracker’.
An impossible SF snowstorm provides the setting for KML’s latest holiday sketch set.
The story of The Boy Who Lived continues in an entertainingly bombastic production at the Curran.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
LCTC stages a raucous, and somewhat bloated, retelling of biblical creation from the writer of ‘In & Out’.
The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.