Not even a global pandemic can stop the ACT and SF Ballet from bringing their annual holiday productions to the world.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
If Only that were Enough: Josh Kornbluth’s ‘Citizen Brain’ (virtual) World Premiere by Shotgun Players
Shotgun belatedly opens its new socially-distant season with a well-intentioned-but-slightly-aloof solo show.
My very-late, but still-relevant review of the ACT’s show about this unsung heroine of baseball history.
SF Ballet’s gorgeous remount ‘Midsummer’ only lasted one night, which somehow seems appropriate.
‘Clash’-ing Lights and Civil Rights: Culture Clash ‘(Still) in America’ World Premiere at Berkeley Rep
The Latin trio return to the Berkeley Rep with their latest entertaining document of our country’s kookiest characters.
Branden Jacobs-Jenkins leans too heavily on shock value and “death (wink, wink) of print” clichés in his latest show at the ACT.
KML’s first 2020 show is a gut-busting throwback to the final days of the last millennium.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.