George Bernard Shaw’s classic satire gets an unfortunately sour reading as part of ACT’s new series.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The company shot a new segment to round out their delightful production Balanchine’s colorful triptych.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
NCTC world premieres an audio solo play about Black pain during the pandemic.
We’re all trapped in a routine, so the SF Ballet presents a trio of shows about breaking out.
SF Ballet’s second show of their digital season is a hit-and-miss collection of two classics and one new short film.
SF Ballet brings back last year’s winning show for a not-quite-perfect online presentation.
All that Glitters during the Cold: ‘Utopia’ World Premiere at Cutting Ball and ‘Holiday Sauce… PANDEMIC!’
Before Christmas touches town, I look back on two flamboyant shows by Cutting Ball and Taylor Mac.