To be Self-Evident: ‘Here Lies the Truth’ at CounterPulse
CounterPulse hosted the SF tour stop of Li Chiao-Ping’s imperfect dance piece about public perception.
CounterPulse hosted the SF tour stop of Li Chiao-Ping’s imperfect dance piece about public perception.
Helgi Tomasson kicks off his final year at the helm with two programs of mixed results and fine surprises.
After a year off, the adults-only immersive horror tour makes its terrifyingly triumphant return.
“One good thing about music/When it hits you (You feel no pain)”– Bob Marley & The Wailers, “Trenchtown Rock” One can’t help but think of the SF Playhouse as the quintessential test case for re-opened Bay Area theatre. Although Cal Shakes and We Players have recently returned to […]
Aurora slowly moves back to live shows with this solo streamer about a NY neighborhood in flux.
The company’s all-digital season ends with the show everyone knows, even if they’ve never seen it.
Heather Christian’s acclaimed show about ghostly encounters is an audio wonder brought down by unnecessary visuals.
The company heads into Spring with a spicy take on a classic.
Cutting Ball’s quarantine commentary (with Mugwumpin & Bay Area Theatre Cypher) is three good pieces that don’t quite mesh.
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
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