The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.