The surprise mid-pandemic hit is soaked in ugly misogyny and hilarious ineptitude.
Fine performances and believable visuals elevate a by-the-numbers thriller.
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters.
Cheesy “acting” and ham-fisted technophobia make one want to delete this film as soon as possible.
Two tales of American greed by renowned American directors shows which is truly worthy of acclaim. (SPOILER: It’s Scorsese.)