“One good thing about music/When it hits you (You feel no pain)”– Bob Marley & The Wailers, “Trenchtown Rock” One can’t help but think of the SF Playhouse as the quintessential test case for re-opened Bay Area theatre. Although Cal Shakes and We Players have recently returned to […]
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
Solid direction elevates Dipika Guha’s “okay” script about the endless cycle of cultural commodification.
The idea of “better living through chemistry” results in an imperfect SF Playhouse show and an excellent Aurora show.
Though Garson Kanin’s old play feels fresher than ever, not even Millie Brooks’ winning performance can save SF Playhouse’s stale production.
A languid pace and over-familiarity drag down SF Playhouse’s production of the Broadway musical.
Two strong leads do their best to breathe life into a seemingly-incomplete script in this SF Playhouse production.
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