A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
This would-be satire of White progressivism soon devolves into a poor treatise on the evils of fascism.
Sorry, Frank – it was NOT “a very good year”.
Still, there were bright spots to be found.
Racist direction combines with a confused (and hypocritical) script in pretty-looking production by Shotgun.