“One good thing about music/When it hits you (You feel no pain)”– Bob Marley & The Wailers, “Trenchtown Rock” One can’t help but think of the SF Playhouse as the quintessential test case for re-opened Bay Area theatre. Although Cal Shakes and We Players have recently returned to […]
The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
The changing face of SF’s Lesbian community is wonderfully realized in this Sandbox world premiere.
Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.
The SF Playhouse’s great new revival is a reminder good times never last, no matter how good they are.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
The unruly brain and bad habits of a writer, artist, and grilled cheese sandwich-enthusiast.
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"Theatre for People Who Didn't Know They Liked Theatre"
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The Thinking Man's Idiot 