Looking back at the two years (and counting) of pop culture during pandemic purgatory.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
If Only that were Enough: Josh Kornbluth’s ‘Citizen Brain’ (virtual) World Premiere by Shotgun Players
Shotgun belatedly opens its new socially-distant season with a well-intentioned-but-slightly-aloof solo show.
My belated look at 2019 puts 2020 into perspective.
No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.