The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Yasmina Reza’s clunky script is given an equally shaky production for SF Playhouse’s virtual season-opener.
My belated look at 2019 puts 2020 into perspective.
A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
The changing face of SF’s Lesbian community is wonderfully realized in this Sandbox world premiere.
Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.