Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Aurora scores a hit with Anna Ziegler’s incendiary piece about sexual consent and identity politics.
August Strindberg’s classic tale of male manipulation is still relevant in Aurora’s powerful new production.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
Chekhov’s classic is revived through gorgeous design, mixed performances, and some confounding directorial choices.
One of the most volatile events in US history is the backdrop for an ultimately toothless story at the Aurora.