Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
Megan Cohen turns ‘Miss Julie’ into a pre-apocalyptic farce of class warfare and fine dining.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.