Two of the most important names in Bay Area independent theatre share the joy of storytelling over the course of one hour. Continue reading Spellbinding: ‘Some Enchanted Evenings’ at The EXIT Stage Left
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”. Continue reading Sound and Fury Signifying Nothing: ‘Women Laughing Alone with Salad’ at Shotgun
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome! Continue reading Off Without a Hitch: ‘North by North Lobster’ by Killing My Lobster
Chekhov’s classic is revived through gorgeous design, mixed performances, and some confounding directorial choices. Continue reading Creepy Uncle: ‘Uncle Vanya’ at Cutting Ball
One of the most volatile events in US history is the backdrop for an ultimately toothless story at the Aurora. Continue reading Not quite Detroit’s Finest: ‘Detroit ‘67’ Bay Area Premiere at Aurora Theatre
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well. Continue reading At the Hour of Our Death: ‘4.48 Psychosis’ at Anton’s Well
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters. Continue reading Funny and Fabulous: ‘Queering My Lobster’ by Killing My Lobster
