Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Shotgun’s latest falls flat with a deafening roar of self-important, casually racist “satire”.
KML’s latest takes an hilarious look at a certain sexist director who loved to film in San Francisco. It’s grawesome!
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters.
A pretty cast elevates a rather rote story about the complications that come with sex.