Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
The sins of life follow you into death in this world premiere dramedy opening The Magic’s 52nd season.
Chekhov’s classic is revived through gorgeous design, mixed performances, and some confounding directorial choices.
Sarah Kane’s rarely-produced final work is the subject of a wonderfully haunting production by Anton’s Well.
Ubuntu’s attempt to deconstruct Tennessee Williams’ classic paradoxically reveals how little they understand of the material.