Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Everyone involved in this should be ashamed. EVERYONE.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
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