He’s leaving California and we’re all the better to be rid of him.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Pandemic lockdown has forced first-run films online. Here are four I probably would have skipped anyway.
The surprise mid-pandemic hit is soaked in ugly misogyny and hilarious ineptitude.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.