Sarah Kane's rarely-produced final work is the subject of a wonderfully haunting production by Anton's Well.
Sarah Kane's notorious first play is still as gut-wrenching in Shotgun's production as it was when it premiered 20+ years ago.
In light of a recent theatre exposé, I reflect on why consent and safety should never be regarded as merely “options”.
Charles Lewis III, a perspective on perspective.
“[W]hat is it that constrains the individual to fear his neighbor, to think and act like a member of a herd, and to have no joy in himself?”
– Friedrich Nietzsche, Untimely Meditations
I think it’s safe to say at this point that every theatre person I know took some time out last week to read the Chicago Reader’s exposé on Profiles Theatre. (In the days that followed, Profiles’ AD Darrell Cox released a response statement on the theatre’s official Facebook page, but as of this writing, all of the theatre’s social media channels are shut down. Their official site contains only a statement that the theatre has permanently closed its doors.) If you’re anything like me, the article probably got you thinking. Not just about the stories of the people mentioned in the article, but thinking about your own theatre history.
View original post 1,146 more words