Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
The story of The Boy Who Lived continues in an entertainingly bombastic production at the Curran.
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
LCTC stages a raucous, and somewhat bloated, retelling of biblical creation from the writer of ‘In & Out’.