A new Sandbox play from the Playhouse is an imperfect recollection of clashing cultures the year before the Berlin Wall fell.
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
ACT kicks off 2020 with Will Eno’s darkly comic one-act (and short) celebrating why the little things matter most.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
I caught the first-ever show of the DNA Lounge’s new monthly EDM showcase. Not bad at all.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?