Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
An energetic all-Latinx cast bring life to this paint-by-numbers bio of Gloria and Emilio Estefan.
The acclaimed indie film – about a Jewish woman’s affair in the Summer of ’69 – becomes a rather lackluster musical at the ACT.
Though hindered by the conventions of its genre, this based-on-a-true-story rom-com has more than enough to make it worth the watch.
Racist direction combines with a confused (and hypocritical) script in pretty-looking production by Shotgun.
Originally posted on San Francisco Theater Pub:
Charles Lewis III is revisiting old demons. “We teach people how to remember, we never teach them how to grow.” – Oscar Wilde, The Critic as Artist About a week or so back, our esteemed Executive Director Stuart Bousel mentioned on…