Not the Worst ‘Day’ Ever: ‘Groundhog Day: The Musical’ West Coast premiere at SF Playhouse
Tim Minchin amps up the darkness of the classic film in SF Playhouse’s (mostly) well-organized production.
Romance is Dread: ‘Elevada’ at Shotgun Players
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Torn from Memory: ‘Ripped’ World Premiere by Z Space
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Incompatible Personality: ‘Significant Other’ at SF Playhouse
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
Jingle Shells: ‘Lobster, Actually’ by Killing My Lobster
The Lobster’s claws go after holiday rom-coms in their latest hilarious show.
Funny and Fabulous: ‘Queering My Lobster’ by Killing My Lobster
KML’s first-ever Pride show masterfully lampoons everything from hompophobic tech bros & Gay dating sites to str8 actors being awarded for playing LGBTQ+ characters.
The Stupidity Principle: ‘Heisenberg’ at ACT
Science has nothing to do with this poorly-written May-December rom-com at the ACT.
From ‘Nam to Rom-Com: ‘Vietgone’ at the ACT
You wouldn’t think “rom-com” and “Vietnam War drama” would go together, but the ACT pulls it off well.
Joyful Noise: ‘Reel to Reel’ World Premiere at Magic Theatre
The innovative use of technology never gets in the way of the love story in this Magic Theatre world premiere.
Love Machine: ‘The Watson Intelligence’ at Shotgun
Though Shotgun pulls off some grand production design, Madeleine George’s script doesn’t successfully tackle the themes it ponders.
The Thinking Man's Idiot (Charles Lewis III) 