Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Cheryl Strayed’s tenure as an advice columnist makes for an excellent 2020 opener for the Playhouse.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Incredible technical work can’t quite make up for Annie Baker’s bloated, meandering text.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Arthur Schnitzler’s classic sexual vignette piece is resurrected by Cutting Ball in a VERY intimate production.
Aurora scores a hit with Anna Ziegler’s incendiary piece about sexual consent and identity politics.