Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
No “Best Of” yet, but here are some emotional ponderances on the decade-ending year that was.
The popularity of 2019’s two biggest film should NOT be something we celebrate.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
The US may have forgotten its first Chinese immigrant, but her tale is beautifully told by the Magic Theatre.
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.
Tony Kushner’s critically-acclaimed musical gets worthy staging by Ray of Light.