SF Indiefest’s 2022 opener starts off strong before falling on its face.
Looking back at the two years (and counting) of pop culture during pandemic purgatory.
NCTC world premieres an audio solo play about Black pain during the pandemic.
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
Not the Steve McQueen film, but the 2011 documentary that first brought the Black British genre to light.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Aurora’s new season opens with an emotional new piece that only occasionally feels off.
Shotgun delivers one of the year’s best shows with James Ijames’ meditation on Black lives ended too soon.