If White privilege and MAGA hats were movies, this would be their BIRTH OF A NATION.
Fuck this movie.
As a musical, it’s derivative.
As a story about getting past discrimination, it’s actually racist, sexist, and elitist.
Seriously, fuck this movie.
Fine acting and great Berkeley Rep production values can’t save Branden Jabobs-Jenkins’ God-awful script.
A Black woman aims for biting social commentary, but winds up giving herself the “All Lives Matter” treatment in this uneven new satire by Luna Malbroux and Faultine Theater.
Racism, sexism, classism, and privilege are given the mature examination they deserve in this SF Playhouse world premiere.
Not even amazing set design and two-out-of-three great performers can save an unforgivably terrible script in this Magic Theatre world premiere.
One is an animated masterpiece, the other an American bastardization.
Guess which one is which?
The failures of Ben Affleck’s latest film put all the Oscar-winner’s past successes into question.
The bewildering choices of slapstick and steampunk are just two-of-many poor decisions in this Cutting Ball production.
Originally posted on San Francisco Theater Pub:
Charles Lewis III weighs in on some recent controversy. Can you spot the Oscar-winner under all…