Loud AND Ladylike: ‘The Daughters’ World Premiere (Sandbox Series) by SF Playhouse
The changing face of SF’s Lesbian community is wonderfully realized in this Sandbox world premiere.
‘Til Your Feet Bleed: ‘Dance Nation’ West Coast premiere at SF Playhouse
Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.
Doin’ it for Themselves: ‘Top Girls’ at ACT
Caryl Churchill’s incendiary piece gets a gripping new production from the ACT.
Bend, Stretch, Twist: ‘Dollhouse Monsters’ world premiere by DIVA or Die Burlesque
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
Present of the Past: ‘Don’t Miss It’ World Premiere by Rapid Descent
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
The Shoddy Politic: ‘Kings’ at Shotgun Players
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Incompatible Personality: ‘Significant Other’ at SF Playhouse
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.
Flying High: ‘Weightless’ at the ACT’s Strand
Last year’s acclaimed Z Space world premiere returns for a glorious victory lap at the ACT’s Strand Theater.
Time Keeps on Drippin’: ‘Time Sensitive’ by Ragged Wing Ensemble
Ragged Wing’s latest is a haunting lyrical movement piece about unchecked capitalism in a dying world.
Dream Girl: ‘Helen’ at Theatre of Yugen
Yugen’s latest is both a modern and classical examination of the infamous “face that launched 1,000 ships”.
The Thinking Man's Idiot (Charles Lewis III) 