Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.
Ariel Craft is at the helm of Shotgun’s nearly-perfect remount of the Feminist take on ‘The Crucible’.
An impossible SF snowstorm provides the setting for KML’s latest holiday sketch set.
Aurora’s final 2019 is a winning dramatic-comedy set during the Women’s Suffrage Movement.
The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.