The Bard’s “stormy” story is the basis for Cirque du Soleil’s latest grand spectacle.
The messy legacy of cricket and British colonialism is the focus of Kate Atwell’s fun-but-messy new play.
A good cast can only do so much of this “satire” of rom-coms that supports their worst tropes.
Clare Barron weaves a darkly comic tale of teen dancers under immense pressure in this Playhouse show.
Caryl Churchill’s incendiary piece gets a gripping new production from the ACT.
EXIT Theatre’s quintessential burlesque showcase returns with a show that’s really two shows with mixed results.
My first Rapid Descent show is a tale of time travel gone awry that keeps bumping its head against its budgetary ceiling.
Shotgun’s latest production is an ultimately toothless “satire” of politics in the AOC era.
Lauren English’s light-touch direction can only do so much with this confused script about “singles rage”.