The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Grindhouse flick with four chicks whose arms are chopped off for gladiatorial weapons. What else is there to say?
An intimate story about a changing San Francisco makes for one of the best films of the still-young year of 2021.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.