The latest from the Playhouse is an imperfect piece about living (and dying) on your own terms.
Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
Can’t read the Writing on the Wall: [hieroglyph] world premiere by SF Playhouse and Lorraine Hansberry Theatre
Two great companies collab for a show that uses a popular lie to tell a troubling rape narrative.
Grindhouse flick with four chicks whose arms are chopped off for gladiatorial weapons. What else is there to say?
An intimate story about a changing San Francisco makes for one of the best films of the still-young year of 2021.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Cutting Ball starts off the new decade with two one-act dreams about women whose bodies aren’t theirs.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.