Grindhouse flick with four chicks whose arms are chopped off for gladiatorial weapons. What else is there to say?
An intimate story about a changing San Francisco makes for one of the best films of the still-young year of 2021.
Grace Horvat’s ultra-violent feminist-revenge satire of Hollywood deserves all the buzz it’s generating.
Top-notch acting and direction opens Aurora’s 2020 with a well-written play that doesn’t stick the landing.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
Kate Robards’ latest is a show about marriage and sex that – wouldn’tcha know it? – finishes too soon.
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
An overlong, clichéd script is saved by great direction, a super cast, and eye-popping creative choices.