Aurora’s audio show – originally intended for a live production – adds to the dreamlike quality of Toni Morrison’s debut story.
The inaugural entry in the ACT’s new reading series is Alice Childress’ all-too-relevant 1957 classic.
NCTC world premieres an audio solo play about Black pain during the pandemic.
The gripping true story of Fred Hampton’s final days gets a dull adaptation that does the story no justice.
Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
If any white celeb owes us an apology, it’s the so-called “prince of pop”.
UPDATE: you call THAT an apology?!
Rotimi Agbabiaka delivers another winning solo show satirizing race, sexuality, and hunger for fame.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
Christina Anderson’s examination of Black bodily autonomy is wonderfully realized by Crowded Fire.
Aurora’s new season opens with an emotional new piece that only occasionally feels off.