Misogynoir is taken to task in Shotgun’s virtual production of Loy A. Webb’s breezy script.
Margot Robbie gets a great second chance at playing Harley, though the plot may seem a bit familiar.
A Christmas screen-hop features Black Power, White romance, and Sci-Fi. Guess which one I loved?
The second Witch Trial play I’ve seen in a week is an imperfect misfire for Sarah Ruhl and the Rep.
The popularity of 2019’s two biggest film should NOT be something we celebrate.
Kate Tarker’s darkly comic Greek myth remix is incredibly timely, if a bit bloated.
Rachel Bublitz returns to SF to premiere a funny, sad, humanizing tale of campus sexual assault.
Thackeray’s classic novel keeps the Victorian setting and adds modern gender politics in ACT’s lavish new production.
August Strindberg’s classic tale of male manipulation is still relevant in Aurora’s powerful new production.
Though the performances are uneven, strong direction and social commentary bolster Cutting Ball’s take on the classic Greek myth.